Monday, 3 August 2015

Week 4 - Images, audio & video as teaching & learning tools.

Week 4 Reflection – Images, Audio and Video

As our dynamic society morphs and changes, it is imperative that education also follows suit. Children of today are exposed to an array of visual, electronic and digital texts, unlike the almost exclusively print rich days that Gen Y and earlier experienced. Research shows that modern day students are “more likely to access digital rather than print based texts outside school” (Walsh, 2010). Over the past three years I have had the opportunity to observe a range of classrooms in a range of grades, and upon reflection this past week, have noticed that there is still a huge disjuncture between the technology and multimedia in a child’s life in and outside of the classroom. With technology changing so quickly however, and none of today’s teachers being true
digital natives, who can blame them from erring on the side of caution, going with what we know works – and has been working for years – to educate today’s students?
Before I go on, I must admit, I am a little biased. I love print based texts. Summer school holidays saw me renting out the maximum amount of books at the library, and getting lost in stories for hours on end. As I grew up, I could cut up magazines, covering school books in everything I believed to the ultimate in cool. I went through my schooling with the vast majority of the focus on print based texts, and you know what? I think I’ve turned out pretty well. I can read, write and communicate effectively.


Not all teachers are on board the technology train.



But is that enough? Can we expect that today’s students will be satisfied with this type of education? They are bombarded daily with a range of texts, print, video, images, audio – more than we ever imagined as kids – so surely there has to be a shift in pedagogy to adapt to these changes. While I am not personally the most exceptionally tech savvy person, I do accept that ignoring these fundamental changes to society and the way we communicate, receive and give information, would be doing a great disservice to students.

Of course, education is transforming. Educators now understand that we must cater to individual needs of learners (Shaw, 2014). The visual and auditory aspects of teaching are of upmost importance, and research has shown that this leads to gains in basic and higher order thinking (Walsh, 2010). Multimodal learning is imperative to prepare students for the future they will live, work and succeed in as adults.

Technical Aspects of Images, Audio and Video.

These days, images, audio and video can be accessed and shared with the click of a button. In an education context, this has endless opportunities. An image could be used simply as a stimulus, shown on a screen to a whole class, discussions in small groups or to analyse individually. Audio could be embedded in a Voki on a teacher’s blog to introduce a new topic, or a student’s response may be recorded on an iPad. Video could be used to track a student’s learning journey, show an alternate point of view, or to simply engage and entertain. During my university experience, I have used all of these elements during presentations as a way of providing extra depth and information, as well as to ensure my audience are engaged and stimulated. It is clear that when applied appropriately, images, audio and text can be used to engage students, develop their skills in ICTs, and most importantly, as explained by the SAMR model, be used to in ways that could not have been done otherwise and promote high order thinking and problem solving.

Images
Plus
Can be used to help students with disabilities – eg: clear routines set out on desk for students with ASD.
Can provide a stimulus or cue for writing tasks.
Can be used to promote critical thinking – eg: historical images of propaganda.
Students can create their own images of books they have read to show their understanding of characters and relationships.
Promotes the use of semantic encoding.
Could be used to document learning journeys - eg: photos of students work.
Can help with understanding for visual learners.
Can be used to evoke emotion.

Minus
Copyrighting issues – explicit teaching of privacy and copyrighting must be taught.
Static – may not encourage engagement as much as a video.

Interesting
Research shows that by combining a range of modes – eg: text and images – with new information aids to keep this new knowledge in the working memory and has positive effects on memory retrieval. In relation to the SAMR model, images could be used from the Substitution level as a direct tool substitute, such as images next to the board to remind students of routines and expected behaviours. Augmentation, or function improvement can be achieved by students accessing others Flickr pages, or viewing responses and images on blogs, as they see a range of opinions on these new set of resources. Modification can be achieved with the process of redesign, as students create their own images with their own interpretations and share online, or create a ‘Worlde’ image to add to their blogs. Redefinition requires teachers and students to create new tasks using images to reach vast audiences and receive feedback on the images they have created. As a visual stimulus, images should be embedded within the classroom in a variety of ways.

Audio
Plus
Podcasting can be used for students to listen and digest information at their own pace.
Can be accessed from any computer/tablet/phone at any time – convenient.
Students can create, produce and share their own podcasts.
Can be used for diagnostic, formative and summative tasks.
Students can bring in outside information – interviews etc.
Develops ICT skills.
Can connect URL, jpegs to podcast.
Easier to create and edit than a video.
Children may find speaking thoughts out loud easier than writing down ideas.
Songs/jingles/pnumonics can help students recall facts easier.


Minus
Can be boring, podcasts are limited.
Does not promote basic reading and writing skills that submitting a written document would.
Students may feel embarrassed about recording their voices, and may prefer to submit written tasks.

Interesting
Podcasts could be used as a part of ‘flipped classrooms’, whereby students access information prior to class, to then promote more in depth discussion in the classroom. Students could access at home in their own time, or as a part of their weekly homework. This also promotes student autonomy and accountability of their learning. Using podcasts effectively, according to the SAMR model would involve students creating their own podcasts, using original research and ideas during the Modification stage, and sharing them during the Redefinition stage to receive feedback and connect with professionals in specific fields.

Video
Plus
Engaging – generates student interest.
Incorporates both visual and audio aspects. 
YouTube can be used to connect with professionals and their point of views.
Interactive, flexible medium, can start, stop and work at own pace – learner autonomy is promoted.
Teacher/student can record and reflect upon learning journey.
Creating videos develops ICT skills.
Students can share work online.
Great platform for summative tasks – can include text, visual and audio.
Promotes authentic learning opportunities.



Minus
Videos on the Internet may not always be appropriate or access to YouTube could be limited or banned in classrooms.
Ethical, privacy and copyright laws must be explicitly taught prior to commencement of recording or viewing of videos.
Videos can be time consuming to make, or to find appropriate and relevant videos may take time.
Must be kept short or students will disengage.
Links may not always work, plan B is essential.

Interesting
Videos, much like podcasts, could be used in the flipped classroom approach. Research suggests that combining verbal/text and visual/spatial work together to strengthen understanding. Students are not longer stimulated by print text, and video is a great way to enhance motivation and engagement when introducing new ideas or to deepen existing knowledge. The creation of videos can not only develop essential ICT skills, but promote higher order thinking and problem solving skills as students work collaboratively to create, edit and publish their own work. Students then take on a much greater sense of ownership while learning. The focus when creating a video should however, be on the journey, rather than the end product, and self and peer reflection should be an integral and constant part of that journey.

Incorporating all of the above mentioned media into the classroom follows social and cognitive constructivist learning theories, as well as the connectivist learning theory, as there is a focus on connecting with other, and finding new information. Connectivisism also promotes the idea that learning and knowledge rest in the diversity of opinions (Barnett, McPherson & Sandieson 2013). Students are able to create, share and respond to other’s work, and in turn, build new knowledge as they undertake this process.

Comparatively, images, audio and video can all be used effectively for a range of authentic and meaningful purposes in the classroom. When implementing such media within the classroom, teachers should refer to models such as the SAMR and Bloom’s Taxonomy, to ensure that the tasks are incorporating the media effectively, meaningfully and promoting critical thinking skills.
Technology can be exceptionally helpful when used in ways that enhance our lives like no other print based media can (Shaw, 2014).




Here are some examples of sources of audio-visual materials:
Photographs:
   Google Images http://www.google.com/imghp
   Free Photo Reference Archive http://www.morguefile.com/archive/
   Free photographs and graphics for education http://edupic.net/
   Pics4Learning http://www.pics4learning.com/
   Flickr Creative Commons http://www.flickr.com/creativecommons/
   FreeFoto.com http://www.freefoto.com/index.jsp
   Free Digital Photographs http://www.freedigitalphotos.net/
   Stock.xchng http://www.sxc.hu/ (free high quality images)
   Free Images http://www.freeimages.co.uk/
   Free Stock Photography http://www.adigitaldreamer.com/gallery/index.php
   Photogen http://www.photogen.com/
   Free Range Stock http://www.freerangestock.com/
(most just require credit to owner of photograph (could include credits list at end!) – see the terms and conditions on individual sites from more details)

Video:
   Creative Archive license Group http://www.bfi.org.uk/creativearchive/
   YouTube www.youtube.com
Some video clips – such as those in YouTube can be downloaded using zamzar (www.zamzar.com) into a format which can then be used in video editing software.


Music / Soundtracks / Spoken Word
   Wav Central http://www.wavcentral.com/ (Movie and TV themes)
   Find Sounds http://www.findsounds.com/ (search engine for sounds on the internet)
   Partners in Rhyme – Free Sound Effects http://www.partnersinrhyme.com/pir/PIRsfx.shtml
   Free Royalty Free Music Loops http://www.partnersinrhyme.com/pir/free_music_loops.shtml
   Free Music Archive http://freemusicarchive.org/
   Jamendo – Free and legal music downloads http://www.jamendo.com/en/
   Free Sound (sounds not songs) – all available under creative commons licence to share http://www.freesound.org/
   Podsafe Audio http://www.podsafeaudio.com/
   Sound Board – includes variety of sound clips / theme tunes – including audio of famous speeches etc. http://www.soundboard.com/
   History Speeches Archive http://www.history.com/video.do?name=speeches


Evidence of Exploration of Technology
Flickr – Personal Account


YouTube video – My Arts Journey


Reference List

Barnett, J., McPherson, V., & Sandieson, R. M. (2013). Connected teaching and learning: The uses and implications of connectivism in an online class. Australasian Journal Of Educational Technology, 29(5), 685-698.

Shaw, L. J. (2014). Breaking with Tradition: Multimodal Literacy Learning. New England Reading Association Journal, 50(1), 19-26.

Walsh, M. (2010). Multimodal literacy: What does it mean for classroom practice?. Australian Journal Of Language & Literacy, 33(3), 211-239.





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